Whiskey Myers

Whiskey Myers

Sat 5/09

"You can tell when somebody is faking it," says Cody Cannon, lead singer and guitarist

of Whiskey Myers, "and you can tell when it's real." This kick-ass band has been steadily

building a devoted following with its gritty authenticity, and with their self-titled fifth

album, they're poised to explode.

Each one of the releases from Whiskey Myers has been bigger and bigger - following

their break-out third album, 2014's Early Morning Shakes, their most recent record, Mud,

climbed to No. 4 on Billboard's country charts in 2016. And that was before the group

was featured in Kevin Costner's TV series Yellowstone in 2018 (not just on the

soundtrack, but on screen, performing in a bar), which propelled the band's entire

catalogue into the Top 10 of the iTunes country chart.

But playing to larger and wilder crowds - including audiences of more than 100,000

at the Download Festivals in London and Paris - didn't cause Whiskey Myers to

change their approach this time around. "We just bring our songs to the table and make

it sound like us," says Cannon. "We never think about it. We just try to go in and write a

good song, whether it's country or rock and roll or blues."

"There's never a plan or the sense that we need to make a song sound a certain way,"

adds guitarist John Jeffers. "A country song could end up a rocker or the other way

around - it's extremely organic, and that's always been us as a band."

The big change for Whiskey Myers was the decision by the group (which also includes

Cody Tate on guitar, Jeff Hogg on drums, bassist Jamey Gleaves and Tony Kent

playing keyboards and percussion) to produce the album themselves. GRAMMYwinner

Dave Cobb (Chris Stapleton, Jason Isbell, Brandi Carlile, Sturgill Simpson)

helmed the band's last two albums, but this time around, they felt ready to take the


"We loved a lot of things about our producers," says Jeffers, "but it was time to be set

free and do it ourselves - to take what we learned from them and put it all together,

figure it out. I think it just made it more authentically us."

"We didn't know what to expect being on both sides of the glass, but we loved it," says

Cannon. "Everybody got along, and we really incorporated everybody's ideas."

Jeffers emphasizes how that sense of collaboration and experimentation really defined

their whirlwind eighteen days of recording at the Sonic Ranch studio, outside of El Paso.

"There's never a right or wrong answer when it comes to ideas," he says. "We would run

every single idea from everyone - some work and some don't, but we give them all a

shot. And then there's that magical moment when the whole band hears it, your eyes get a

twinkle - 'That's it, that's us!' It's usually a no-brainer."

It should come as no surprise that at this point, the members of Whiskey Myers can

communicate and create so cohesively. The band's roots stretch back decades into the

red dirt of East Texas, where Cannon, Jeffers and Tate first began playing together.

They earned a rabid local following on the strength of their 2008 debut album, Road

Of Life, and then notched their first No. 1 on the Texas Music Charts with the 2011

follow-up Firewater.

With Early Morning Shakes, though, the rest of the world started to catch up to what

Texas already knew. Esquire called them "the real damn deal," while USA Today

wrote that their music had "shades of Led Zeppelin and David Allen Coe." They took

their blistering live show across the U.S. and U.K. non-stop, sharing stages with the

likes of Lynyrd Skynyrd, Hank Williams Jr. and Jamey Johnson and racking up more

than 300 million streams of their songs.

The band draws as much inspiration from Nirvana as from Waylon Jennings, and

Whiskey Myers bursts out of the gate with the raging "Die Rockin'," followed by

such bruisers as "Rolling Stone" and "Gasoline." Over the course of fourteen tracks,

though, songs expand, moods change and songs like "Bury My Bones" and

"California to Carolina" explore different stories and emotions.

"You want an album to be like a rollercoaster," says Jeffers. "Does it really take you for a

ride, with ups and downs and some loops and sometimes you're upside down?"

"Those first songs on the album were the first batch we recorded, and they were really

rock and roll," says Cannon. "That got the juices flowing. But an album should be like a

whole work of art that moves, comes out strong, ends strong, flows in the middle - like

a good show does."

Whiskey Myers hasn't dialed down their Southern Rock rowdiness, but these songs also

reveal new maturity and changes in the lives of the band - both Jeffers and Cannon got

married since the release of their last record. "There's always pressure there," says Jeffers

about the challenges of maintaining a relationship and a relentless touring schedule,

"'Bury My Bones' is about being home. I was on the road and just wanted to go home. It

is on your mind, sometimes harder than others, and it shows in the songs. And then

sometimes you're just pissed off and you write a song called 'Bitch!'"

"We're growing up," says Cannon, "and this is exactly the place we're at, and it comes

out in our songs, in our business, everything, We're not as wild as we were - we're not

totally calm, but you see how your life changes. You always write about little sections of

your life - you can write a happy song when you're sad, but you tend to go to where you

are - and I just think this album is happier, more upbeat, doesn't have too many dreary

songs on it."

For this band of renegade brothers, the goal isn't to fit into a format or try a new direction

for its own sake, it's to be true to the music they love - and with Whiskey Myers they

continue pushing in all directions and sharpening their attack, whether country, rock,

blues, whatever - even adding the legendary McCrary Sisters' gospel influence to the

project on background vocals. "Everybody wants you to pick a genre, but we did this our

whole career," says Cody Cannon. "We like it all, so we're gonna do it all. We're better

than we were at 20 years old - you try to hone your skills and get better, write better,

play better. This is just how it came naturally, and it works better that way."